The Voynich Ninja

Full Version: Three arguments in favor of an Arabic/Persian-inspired women's health manual
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Several authors have already proposed the idea that the VM is a women's health manual. There are several reasons for thinking along this line: a disproportionate amount of attention given to the female body in the manuscript, the taboo nature (and therefore willingness to encode) such a subject matter, as well as other sexually explicit imagery. Nonetheless, this is difficult to prove as the different themes in the manuscript cannot be linked to a specific set of contemporary practices, places or objects.

In my opinion this is not true, and I can give three arguments in favor of there being Arabic or Persian inspiration for women's health practices in the book.

Argument 1: The balneary section (the baths) are depictions of 15th century Hammams

A Hammam is basically an Arabic bathhouse. It features many advanced technologies such as a sophisticated tube system, gravity-assisted water provenance, and water spouts coming from walls, an early form of the shower concept. They were also heated, and had steam inside. Note that while these were totally absent in European baths at that time, Arabic Hammams in the 15th century were already equipped with these. 

There are many examples, one of them being the Hammam al-Mokhfiya, in Morocco, built in the late 14th century. Another one is the Hammam as-Sarah, in Jordan. This latter already had a complex system of pipes built in. You can find an archeological survey about this bath here: You are not allowed to view links. Register or Login to view.

Some of these baths were powered using Qanats, another islamic invention for a dynamic underground water supply system. Many folios, including You are not allowed to view links. Register or Login to view. in the VM, could allude to such a system. Here is a description of a Qanat: You are not allowed to view links. Register or Login to view.

Qanats were initially used for irrigation, but then also for other water supplies, such as hammams. In this picture, you can see the cross-section of a Qanat system, which reminds one of some of the VM tube drawings: You are not allowed to view links. Register or Login to view.

Another point of similarity with the VM is that it depicts baths with only women in them, and the concept of gender-segregated hammams was already common in Arabic hammams (sometimes called "hammam al-nisa"). There are several depictions of muslim baths with only women in them, in contemporary arabic miniatures, easy to find on internet.

Finally, in hammams, the pools were often connected to one another using pipes in which water flowed. This is reminiscent of folio f78r, or f81r, for example, which show exactly such a scene. On top of the image, you can even see what I believe is a system of pipes coming from a Qanat.

On folio f81v, you can see water being supplied to what appears (to me) to be a hammam supplied with water from a hammam pipe coming from a Qanat.

On folio f75r, you can see a woman in the middle enjoying the hammam bath water. I believe that is because the water is warm, which is typical of contemporary hammams.

On folio f82v, you can see women standing in small pools of water. This seems to me to be the part of the hammam where you clean your body before you actually enter the pool.

So it seems to me, that the idea that the balneary section depicts islamic hammams, seems to "fit" with the images in the manuscript. Of course, I could be totally wrong, too.

Argument 2: The containers and vessels might depict contemporary Persian oil lamps

The containers on folios f88/f89 have been the subjects of many debates. Are they ink vessels or apothecary storages? To me, they look like oil lamps. While not available in Europe at the time of the carbon dating of the VM, such lamps were available since the 11th century already in Persia. What makes them stand out as candidates to the VM vessels (as opposed to ink stands or apothecary bottles), are the following features: (1) the tripods are characteristic to oil lamps of that time in Persia, (2) the multi-layered design of the containers is typical of such lamps, and (3) many lamps were either decorated in blue paint or covered in copper, which then fades away with time and becomes green, which is what we see in the images of the VM.

Here are a few examples: You are not allowed to view links. Register or Login to view., You are not allowed to view links. Register or Login to view., You are not allowed to view links. Register or Login to view..

Note that these would have been colored at the time of creation.

Argument 3: An Arabic or Arabic-inspired women's health manual would be worth encrypting to avoid persecution

Women's health was already a taboo at that time, women preferred talking to each other in order to exchange ideas or secrets about gynecology, menstruation and other health topics, instead of putting everything into a book. So a book on this subject, especially with foreign (non-Christian) origin or inspiration, would definitely be a cause for enciphering its contents.

This might (or might not) also explain why there are no mentions of Jesus or other Christian symbols in the entire manuscript.

Finally, I will add that the calendar section is heavily focusing on the Moon and its phases, which is the typical time keeping method in Arabic/Islamic countries and cultures at that exact time.

So, could it be that the VM is inspired by Arabic women's health secrets? Or perhaps a translation from an Arabic health manuscript? What do you think?
I well remember someone proposing this, quite some years ago now.
Could you drop a hint whether you might be the person I am thinking of?
Hi ReneZ. I'm afraid not, I just discovered the Voynich Manuscript about a month ago. But I would also be interested in hearing how another person got to this same idea.
What about the nebuly lines?
(09-01-2026, 02:00 AM)R. Sale Wrote: You are not allowed to view links. Register or Login to view.What about the nebuly lines?


Can you be more specific?
(08-01-2026, 12:30 PM)JustAnotherTheory Wrote: You are not allowed to view links. Register or Login to view.Hi ReneZ. I'm afraid not, I just discovered the Voynich Manuscript about a month ago. But I would also be interested in hearing how another person got to this same idea.

There was a talk about it at the 2012 Mondragone meeting by Wolfgang Lechner.
I will put the PDF of the slides up a bit later.
A nebuly line is a line pattern, like a sine wave, but the crests and troughs are bulbous.

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The individual bulbs can be plain or elaborate. The plain version is used in heraldry. Variations are found in the depiction of religious images and in cosmic diagrams [BNF Fr. 565]. As such, they are representations of cloud bands and cosmic boundaries [wolkenbands].

There is a plain nebuly line in the VMs cosmos. There is a profusion of nebuly line imagery in Quire 13. There are elaborated nebuly lines in the Rosettes and there are hidden versions of elaborated nebuly lines pretending to be leaf margins in the botanical pages.

Have you found examples of nebuly lines used in Arabic or Persian sources pre 1450?
(09-01-2026, 08:04 PM)R. Sale Wrote: You are not allowed to view links. Register or Login to view.The plain version is used in heraldry. Variations are found in the depiction of religious images and in cosmic diagrams

I believe that the latter are called "wolkenbands" or "cloud-bands", right?  AFAIK there is no relation between the two; they arose in very different domains and mean (or not) very different things.

The cloud-bands are clearly symbolic, not pictorial. They have only a very vague resemblance to the edges of real clouds, but are usually very much similar across manuscripts. They are an established scribal/artistc "idiom", like the halos around saints' heads, and the pointy rays on images of the sun and stars.

The VMS has instances of both.  Cloud-bands occur in the Cosmo section (including the central island of the big fold-out f85v2) and seem to be used for their "official" purpose, namely to indicate the boundary between earthly and heavenly domains on the same drawing. 

"Nebuly" lines, on the other hand, seem to be used mostly for the edges of ponds and pools in the Bio section.  The edge of the starry section of the "spiral nebula" is a doubly-traced nebuly line.  Neither use suggests a heraldry connection.  And I suspect that some, if not all, of these "nebuly" lines are late additions...

All the best, --stolfi
Here is the file (temporarily):

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(10-01-2026, 12:17 AM)ReneZ Wrote: You are not allowed to view links. Register or Login to view.Here is the file (temporarily):

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This is amazing, thank you so much. It's fascinating how we both came to the conclusion of Hammams. However I do not see any mention of Qanats in the work you generously provided. Perhaps this could be tested by an expert in medieval Arabic baths?

In any case it is a fascinating read. Could it really be, that the VM was somehow inspired by Arabic culture? If so, this could narrow down the search space for the author considerably.

This would mean that we are looking for someone who:
  • Lived or operated in or nearby the South German/Tyrolian region (poxleber and other marginalia strongly suggest a German language origin in the Tyrolian region), and
  • Someone who visited or had knowledge of Hammams, either from an Arabic book, or an in-person visit to one.

To my knowledge not many people fit such a description. Any ideas?
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