27-04-2021, 03:34 PM
Hi, Wladimir (and everyone),
I had a very productive day with the VMS at Yale yesterday. I taught a class about the manuscript, and the recording has been posted here: You are not allowed to view links. Register or Login to view.
I doubt there is anything in the video that this group does not already know, but you might enjoy hearing from curator Ray Clemens and Yale linguistics professor Claire Bowern, both of whom were there with me.
I took detailed images for Wladimir of the sewing in the middle of each quire (except for Q7, which I accidentally skipped, but the images of folio 58 and f. 65 on the Beinecke server show the sewing quite clearly). I also took images of the spaces between the quires where you can see the sewing stations. I was not able to image the sewing for the Rose, since it is too fragile to open, and some of the gaskets elsewhere in the manuscript are too tight to open. Please note that in the images of the spine, the front of the manuscript at the top. My images are here:
You are not allowed to view links. Register or Login to view.
You are welcome to download, use, or share them as you like, but please do credit me as the photographer if you share them.
Some observations, and answers to some of Wladimir's questions:
The gasket at f. 71v is the only one with any pigment. It does appear to be similar to the green pigment elsewhere in the manuscript, but without some kind of XRF or other material testing I could not say for certain that it is the same.
I was not able to see the "side" of the wormhole that goes through the "5" of f. "115". It MIGHT allign with the small hole at the upper corner of f. 116r, but because f. 116r is so cockled, it is very hard to tell. I could not illuminate the inside of the f. 115r wormhole enough to see if there is ink inside.
Most of your other questions cannot be answered because of the manuscript's fragility.
My observations:
In the center of each quire, I measured the distance from the top of the gutter to each sewing hole. There were no surprises - the sewing aligns with the current sewing stations as seen in the spine images. It is not possible to see beneath the thread in the gutters to look for unused holes, because the thread obscures the gutter.
F. 57 and f. 66 are currently conjoint and are held together by small strips of conservation-tissue. I cannot tell from the inside if the repair is the ONLY thing holding them together, but the spine image suggests that might be the case. If so, it is possible that these two leaves were not always conjoint.
It is very difficult to tell what exactly is happening with f. 73 and the gasket that is holding it in place. I cannot find a stub of the now-missing conjoint (f. 74), although there should be one on the far side of the gasket (i.e. between the gasket and f. 75r). It may have become inverted and tucked into the space behind the gasket.
I hope this is helpful!
- Lisa
I had a very productive day with the VMS at Yale yesterday. I taught a class about the manuscript, and the recording has been posted here: You are not allowed to view links. Register or Login to view.
I doubt there is anything in the video that this group does not already know, but you might enjoy hearing from curator Ray Clemens and Yale linguistics professor Claire Bowern, both of whom were there with me.
I took detailed images for Wladimir of the sewing in the middle of each quire (except for Q7, which I accidentally skipped, but the images of folio 58 and f. 65 on the Beinecke server show the sewing quite clearly). I also took images of the spaces between the quires where you can see the sewing stations. I was not able to image the sewing for the Rose, since it is too fragile to open, and some of the gaskets elsewhere in the manuscript are too tight to open. Please note that in the images of the spine, the front of the manuscript at the top. My images are here:
You are not allowed to view links. Register or Login to view.
You are welcome to download, use, or share them as you like, but please do credit me as the photographer if you share them.
Some observations, and answers to some of Wladimir's questions:
The gasket at f. 71v is the only one with any pigment. It does appear to be similar to the green pigment elsewhere in the manuscript, but without some kind of XRF or other material testing I could not say for certain that it is the same.
I was not able to see the "side" of the wormhole that goes through the "5" of f. "115". It MIGHT allign with the small hole at the upper corner of f. 116r, but because f. 116r is so cockled, it is very hard to tell. I could not illuminate the inside of the f. 115r wormhole enough to see if there is ink inside.
Most of your other questions cannot be answered because of the manuscript's fragility.
My observations:
In the center of each quire, I measured the distance from the top of the gutter to each sewing hole. There were no surprises - the sewing aligns with the current sewing stations as seen in the spine images. It is not possible to see beneath the thread in the gutters to look for unused holes, because the thread obscures the gutter.
F. 57 and f. 66 are currently conjoint and are held together by small strips of conservation-tissue. I cannot tell from the inside if the repair is the ONLY thing holding them together, but the spine image suggests that might be the case. If so, it is possible that these two leaves were not always conjoint.
It is very difficult to tell what exactly is happening with f. 73 and the gasket that is holding it in place. I cannot find a stub of the now-missing conjoint (f. 74), although there should be one on the far side of the gasket (i.e. between the gasket and f. 75r). It may have become inverted and tucked into the space behind the gasket.
I hope this is helpful!
- Lisa