Adding to what Rene wrote, the two main traditions of illustrated herbals in medieval Europe were:
- Pseudo-Apuleius: You are not allowed to view links. Register or Login to view. dating to late antiquity (IV Century) that was copied during all the Middle Ages
- Tractatus de Herbis: i.e. the illustrated version of Circa Instans. The text was created in Southern Italy in the XII Century. The earlies illustrated version is BL Egerton 747, also from Southern Italy (1300 ca). Manfredus de Monte Imperiali (BNF Lat.6823), still in Southern Italy (1340 ca), extended the text and improved the illustrations: this work was the source for Casanatense ms 459. You are not allowed to view links. Register or Login to view. lists some of the manuscripts in this tradition.
Dioscorides mostly remained confined to Greece, but for the passages that were incorporated into Pseudo-Apuleius and De Herbis.
The graph attached to You are not allowed to view links.
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In my opinion, the main problem with the approach discussed in this thread is that it heavily relies on wishful thinking. In particular, it assumes that the text written in a unique script and accompanied by unique illustrations is a more or less word-to-word mapping of texts that, in the XV Century, already were hundreds of years old and had been copied numberless times. I believe that the originality of the illustrations suggests a corresponding originality of the text. As to confirm the originality of the VMS, the few cases in which we can pin something specific do not fit with the know traditions, e.g.:
- Viola bicolor (if this is the subject of f9v) does not appear in any medieval illustrated herbal
- f35v, that so closely parallels the oak-and-ivy illustration by Manfredus (BNF Lat. 6283) cannot correspond to ivy, since the VMS wine has no leaves.
Another argument that I find even stronger is that medieval herbals tended to have a regular textual structure. Most plants were presented in a format that was uniform across each work (though typically different from work to work). The most basic trait is that each plant description either starts with the name of the plant or with an expression (e.g. "Nomen Herbae") that introduces the name of the plant. In medieval herbals, plant names tend to be hapax legomena or at least infrequent words in the whole work. In the VMS, the first word of herbal pages typically is a "Grove word"; these words indeed are hapax legomena, but they also are morphologically different from words that appear elsewhere: typically they begin with EVA:p/f. In several cases, if one removes the initial p/f, a fairly common word is produced, posing some doubts about the idea that most Grove words really are hapax legomena after all.
Plant names aside, other structural elements can be easily detected in medieval herbal. For instance, Egerton 747 has a first part providing:
- names of the plant in different languages;
- its galenic properties (degrees of cold/hot wet/dry);
- a description of the plant.
(Sometimes not all these elements are present)
This introduction is followed by a list of recipes, each of them typically starting with "ad" or "contra".
If one highlights the words that are common to Canapa and the following plant (Cammeleunta Alba) in You are not allowed to view links.
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For the Voynich manuscript, we have not been able to point out any comparable systematic structure yet. The fact that Herbal pages include both Currier A and B makes this section both particularly interesting and particularly hard to analyse (though similar attempts on more homogeneous sections have also failed). While I began my Voynich research following the ideas of Stephen Bax and hoping to find some correspondence with external sources, I later switched to Emma May Smith's approach. Since then, I prefer to focus on searching patterns internal to the VMS. If and when we find such structure, we can hope to find it reflected elsewhere, though it may be the case the Voynich herbal has no structure or has a structure that is totally unique to it and unparalleled in other herbals.