28-09-2020, 06:00 AM
So, there was a lot of of discussion a couple years back, and there are still unanswered questions about how the similarities might have come about.
The centraal structure is called an inverted T-O to distinguish from the the regular T-O seen in geographical maps of that era.
Google search for combined terms "Oresme Velinska" pulls up some good articles, including this count which gets to 43, though I can see how you might easily find only 41.
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Also compare Harley 334 f. 29 which has Earth and stars very much like BNF Fr. 565. Harley 334 also was produced in Paris, though a bit later - second quarter of the 1400s. And see BNF Fr. 1082, an alternate version of Oresme, but with distinct differences, like no stars at all.
In the other examples above, the Earth is a pictorial illustration. The VMs Earth has been changed to a linguistic representation. The change from one method of information transmission to another method is called a code shift Ostensibly it provides the same information (can't be sure with the VMs), but clearly the appearance is dramatically altered. It could not be more visually different.
The area of stars in BNF 565 and Harley 334 is quite similar - a blue background with scattered, golden stars of a design that resembles an asterisk. The stars of the VMs cosmos are different. They are polygonal. There is clear space inside the lines. And they are laid out in a nearly circular pattern, almost like beads on a string. This is a play on words, Two Latin words, 'cingere' and 'circumdare' were used for surrounded and encircled, without making a distinction. Clearly the VMs representation does make a distinction. This is again the same idea, the same structure, but presented with a diverse visual appearance.
Thirdly the cosmic boundary - clearly distinctive in all four examples. What is important about the recovery of traditional terminology is that it shows the line surrounding the VMs star field is a nebuly line. It possesses a cloud based etymology and connotation - a nebuly line is a cloud band is a cosmic boundary, the same structural element as BNF 565, but again with a distinctive visual difference. (Whether or not it's 43 or 41 undulations.)
So in the comparison of the VMs cosmos with BNF Fr. 565, each corresponding part is a structural match, yet in appearance the VMs almost seems to strive for maximum visual diversity. And IMO, that is the result of intentional obfuscation. Any further doubts about such trickery would seem to be resolved by the apparent placement of the this altered 'Oresme' cosmos inside a version of Shirakatsi's 'Eight Phases of the Moon' diagram. The combination of two such disparate sources seems intended to increase the difficulty of identification. Clearly it works.
The VMs IMO was not meant to simply inform the potential reader. It was meant to test and to quiz the potential reader. And for those who fail the quiz, too bad.
The centraal structure is called an inverted T-O to distinguish from the the regular T-O seen in geographical maps of that era.
Google search for combined terms "Oresme Velinska" pulls up some good articles, including this count which gets to 43, though I can see how you might easily find only 41.
You are not allowed to view links. Register or Login to view.
Also compare Harley 334 f. 29 which has Earth and stars very much like BNF Fr. 565. Harley 334 also was produced in Paris, though a bit later - second quarter of the 1400s. And see BNF Fr. 1082, an alternate version of Oresme, but with distinct differences, like no stars at all.
In the other examples above, the Earth is a pictorial illustration. The VMs Earth has been changed to a linguistic representation. The change from one method of information transmission to another method is called a code shift Ostensibly it provides the same information (can't be sure with the VMs), but clearly the appearance is dramatically altered. It could not be more visually different.
The area of stars in BNF 565 and Harley 334 is quite similar - a blue background with scattered, golden stars of a design that resembles an asterisk. The stars of the VMs cosmos are different. They are polygonal. There is clear space inside the lines. And they are laid out in a nearly circular pattern, almost like beads on a string. This is a play on words, Two Latin words, 'cingere' and 'circumdare' were used for surrounded and encircled, without making a distinction. Clearly the VMs representation does make a distinction. This is again the same idea, the same structure, but presented with a diverse visual appearance.
Thirdly the cosmic boundary - clearly distinctive in all four examples. What is important about the recovery of traditional terminology is that it shows the line surrounding the VMs star field is a nebuly line. It possesses a cloud based etymology and connotation - a nebuly line is a cloud band is a cosmic boundary, the same structural element as BNF 565, but again with a distinctive visual difference. (Whether or not it's 43 or 41 undulations.)
So in the comparison of the VMs cosmos with BNF Fr. 565, each corresponding part is a structural match, yet in appearance the VMs almost seems to strive for maximum visual diversity. And IMO, that is the result of intentional obfuscation. Any further doubts about such trickery would seem to be resolved by the apparent placement of the this altered 'Oresme' cosmos inside a version of Shirakatsi's 'Eight Phases of the Moon' diagram. The combination of two such disparate sources seems intended to increase the difficulty of identification. Clearly it works.
The VMs IMO was not meant to simply inform the potential reader. It was meant to test and to quiz the potential reader. And for those who fail the quiz, too bad.