18-05-2019, 04:47 PM
Hello everyone,
I have a major concern in relation to "Jacobj à Tepenecz No 4" inscription in the copy of the 1553 Dialecta Aristotelis held by the Czech National Library, as discussed on Rene's You are not allowed to view links. Register or Login to view.. I haven't seen this issue addressed anywhere, and would be interested in your thoughts.
My concern doesn't relate to the signature itself, but rather to the "No 4" that follows it. There are two strokes through it, in contrast to the "No 7" and "No 18" in two of the other signed items, both of which have a single stroke.
Photos of the Tepenecz signature on the Voynich Manuscript (f1r) certainly give an initial impression that the signature is followed by a "No" with two lines through it. However, examination of the You are not allowed to view links. Register or Login to view. reveals that the lower line is merely an optical illusion. The eye joins up the lower left portion of the single stroke (to the right of the letter "N"), with two blobs of ink on the letter "N" itself, and finally with "o" to the right, to create the appearance of a second line. But there is, in fact, no continuous line of ink. There is only one through stroke.
In other words, "Jacobj à Tepenecz No 4" reproduces a feature of the Voynich Manuscript signature that isn't really there. I find this disconcerting. Another obvious discrepancy is that "No 7" and "No 18" (both clearly genuine) are followed by a dot, whereas "No 4" is not. Also (although this is subjective opinion) I feel that "No 4," with its laborious double lines, looks very contrived in comparison to "No 7" and "No 18," with their natural, free-flowing single strokes.
I have a major concern in relation to "Jacobj à Tepenecz No 4" inscription in the copy of the 1553 Dialecta Aristotelis held by the Czech National Library, as discussed on Rene's You are not allowed to view links. Register or Login to view.. I haven't seen this issue addressed anywhere, and would be interested in your thoughts.
My concern doesn't relate to the signature itself, but rather to the "No 4" that follows it. There are two strokes through it, in contrast to the "No 7" and "No 18" in two of the other signed items, both of which have a single stroke.
Photos of the Tepenecz signature on the Voynich Manuscript (f1r) certainly give an initial impression that the signature is followed by a "No" with two lines through it. However, examination of the You are not allowed to view links. Register or Login to view. reveals that the lower line is merely an optical illusion. The eye joins up the lower left portion of the single stroke (to the right of the letter "N"), with two blobs of ink on the letter "N" itself, and finally with "o" to the right, to create the appearance of a second line. But there is, in fact, no continuous line of ink. There is only one through stroke.
In other words, "Jacobj à Tepenecz No 4" reproduces a feature of the Voynich Manuscript signature that isn't really there. I find this disconcerting. Another obvious discrepancy is that "No 7" and "No 18" (both clearly genuine) are followed by a dot, whereas "No 4" is not. Also (although this is subjective opinion) I feel that "No 4," with its laborious double lines, looks very contrived in comparison to "No 7" and "No 18," with their natural, free-flowing single strokes.