10-04-2018, 10:51 PM
VMs f 57v Summation of sequences
As discussed previously, in the 4 x 17 symbol sequence, the symbol in position five (EVA = ‘v’) has several different potential interpretations. The actual glyph is written as an inverted “V” and therefore is more similar to the Greek letter ‘lambda’ in upper case or to the medieval form of the numeral seven as seen in various places such as Typus Arithmetica. A third interpretation is that it is an inverted representation of the Roman numeral ‘V’ or five, given that it sits in the fifth position. In other words, this is an interpretation that is confirmed (to some extent) by placement or location, not wholly by appearance.
Positional confirmation can also be demonstrated for the first two examples. In the Greek interpretation of lambda in position five, there is also omicron in positions one, which is correctly spaced at the same distance as in the Greek alphabet. Likewise in the system of medieval numerals, the interpretation as the number ‘7’ is the proper distance from the second symbol which is a clear representation of a medieval numeral ‘four.’ Once again visual interpretation / appearance confirmed by positional relationships when compared with known traditions.
These are three well-know sequences of symbols, and it is possible to overlay each of those systems unambiguously onto the VMs sequence with the information presented above. The Roman and medieval sequences are numerical. The Greek alphabet is actually alpha-numeric. (And it has a few quirks to accommodate. The one most relevant here is the insertion of a non-alphabetical symbol, digamma, in the sixth position.)
So, in the Greek numerical sequence, lambda equals thirty. While in the Roman sequence the value of this symbol is five. And the medieval value is seven. And if we go back to omicron, at the beginning, the Greek value is seventy, the Roman value is one and the medieval value is three.
Values in each sequence: (Roman value = symbol position)
Greek 70 60 50 40 30 20 10 9 8 7 6 5 4 3 2 1 < >
Roman 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
Medieval 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19
Sum: 74 66 58 50 42 34 26 27 28 29 30 31 32 33 34 35 36
Now if we subject each sum to numerological reduction:
7 + 4 = 11; 1 + 1 =2
6 + 6 = 12; 1 + 2 = 3
5 + 8 = 13; 1 + 3 = 4
5 + 0 = 5
4 + 2 = 6
3 + 4 = 7
2 + 6 = 8
2 + 7 = 9
2 + 8 = 10; 1 + 0 = 1
2+ 9 = 11; 1 + 1 = 2
3 + 0 = 3
3 + 1 = 4
ETC.
And this continues till we get to the Greek alpha equals one, which (if we include the digamma in position six) gives us a symbol sequence consisting of sixteen symbols where the VMs sequence has seventeen symbols.
When we look at the values for the seventeen symbol, the Roman value is 17, the medieval value is nineteen. The total of these two is thirty-six, and 3 + 6 = 9. Nine is the proper sequential value, so the Greek value can not make any numerical contribution - if the pattern holds true.
The final numerological sequence is simple: 2, 3, 4, 5, 6, 7, 8, 9, 1, 2 3, 4, 5, 6, 7, 8, 9,
What could this be? Does it have a meaning or some use?
If we consider the choice sequences and their arrangement in relation to each other - doesn't this have to be an intentional construction?
As discussed previously, in the 4 x 17 symbol sequence, the symbol in position five (EVA = ‘v’) has several different potential interpretations. The actual glyph is written as an inverted “V” and therefore is more similar to the Greek letter ‘lambda’ in upper case or to the medieval form of the numeral seven as seen in various places such as Typus Arithmetica. A third interpretation is that it is an inverted representation of the Roman numeral ‘V’ or five, given that it sits in the fifth position. In other words, this is an interpretation that is confirmed (to some extent) by placement or location, not wholly by appearance.
Positional confirmation can also be demonstrated for the first two examples. In the Greek interpretation of lambda in position five, there is also omicron in positions one, which is correctly spaced at the same distance as in the Greek alphabet. Likewise in the system of medieval numerals, the interpretation as the number ‘7’ is the proper distance from the second symbol which is a clear representation of a medieval numeral ‘four.’ Once again visual interpretation / appearance confirmed by positional relationships when compared with known traditions.
These are three well-know sequences of symbols, and it is possible to overlay each of those systems unambiguously onto the VMs sequence with the information presented above. The Roman and medieval sequences are numerical. The Greek alphabet is actually alpha-numeric. (And it has a few quirks to accommodate. The one most relevant here is the insertion of a non-alphabetical symbol, digamma, in the sixth position.)
So, in the Greek numerical sequence, lambda equals thirty. While in the Roman sequence the value of this symbol is five. And the medieval value is seven. And if we go back to omicron, at the beginning, the Greek value is seventy, the Roman value is one and the medieval value is three.
Values in each sequence: (Roman value = symbol position)
Greek 70 60 50 40 30 20 10 9 8 7 6 5 4 3 2 1 < >
Roman 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
Medieval 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19
Sum: 74 66 58 50 42 34 26 27 28 29 30 31 32 33 34 35 36
Now if we subject each sum to numerological reduction:
7 + 4 = 11; 1 + 1 =2
6 + 6 = 12; 1 + 2 = 3
5 + 8 = 13; 1 + 3 = 4
5 + 0 = 5
4 + 2 = 6
3 + 4 = 7
2 + 6 = 8
2 + 7 = 9
2 + 8 = 10; 1 + 0 = 1
2+ 9 = 11; 1 + 1 = 2
3 + 0 = 3
3 + 1 = 4
ETC.
And this continues till we get to the Greek alpha equals one, which (if we include the digamma in position six) gives us a symbol sequence consisting of sixteen symbols where the VMs sequence has seventeen symbols.
When we look at the values for the seventeen symbol, the Roman value is 17, the medieval value is nineteen. The total of these two is thirty-six, and 3 + 6 = 9. Nine is the proper sequential value, so the Greek value can not make any numerical contribution - if the pattern holds true.
The final numerological sequence is simple: 2, 3, 4, 5, 6, 7, 8, 9, 1, 2 3, 4, 5, 6, 7, 8, 9,
What could this be? Does it have a meaning or some use?
If we consider the choice sequences and their arrangement in relation to each other - doesn't this have to be an intentional construction?