Quote:We can't know it perfectly of course, but the distinction between consonant and vowel does seem quite clear.
Could you please explain how this can be clear if we don't understand a single word in Voynichese? I'm aware that there are scientific algorithms that allow one to "detect" vowels and consonants in an unknown text, and I vaguely remember that some of these methods were applied to Voynichese, although I don't remember with what result (maybe you could remind me).
The problem, however, in any case, is that when you apply these methods to detect vowels and consonants, it is assumed that the alphabet adopted in the text is
known and
determinate. In the VMS case, we are not sure of the alphabet. (The circumstance that different transcription alphabets have been adopted by different researchers over time is the best illustration of this fact). For example, we are not certain if EVA
a is really a single character, or it is a succession of
c and
i; whether
ir or
in are bigrams or single characters, and so forth. (The post by
lelle above is really a striking point, in my opinion). Different alphabets would yield different conclusions about vowels and consonants, hence I doubt that we can be certain of them, as of the present moment.
Quote:Everything about the script suggests that it was intended to emphasize the structure of the text, not obscure it.
The structure (morphology, regularity and patterns) is not the meaning (the message). While the structure may be more or less evident (and my opinion rather shifts for "less" here), the message still stands obscured.
Quote:You are now contradicting what you wrote above, about EVA <y> deriving from Latin abbreviations. I think it's been well-established for a long time, and is obvious to begin with, that the VMS script derives from medieval Latin abbreviations and from the Roman alphabet, and that there is really no need to look further afield for the origins of the shapes of the letters. The tables in D'Imperio show this well enough
My comments do not represent a self-consistent system (since the natural language hypothesis is not the working one for me); I rather tried to emphasize the points that I consider weak in your considerations, with ready counter-arguments.
As for the derivation of some of the VMS symbols from Latin abbreviations - this is likely, but it is by no means "established". There is a good deal of researchers who would prefer to refrain from this derivation. Actually, if we consider EVA
y, this is a shape of the Arabic digit "nine". I don't know if the Latin abbreviation symbol was derived from the digit or it is a standalone invention, but it is certainly not "established" whether the VMS script inherits the abbreviation or the digit. In my opinion, this is the former case, where the
y shape is actually comprised of the c with the tail modifier (as suggested by Currier and recently revived by Cham), so as to mask the real glyph composition behind the "well-known" abbreviation symbol. But this is nothing more than a working hypothesis and it is simply not scientifically correct to dub it "established". In science, "established" means proven, consistently reproducible and independently verifiable. In fact, there are too few really established things about the Voynich Manuscript.
Quote:We know the alphabet well enough to show that the entropy is going to be low no matter how you combine or split the glyphs. The low entropy is really just telling you how rigid the phonotactic structure (i.e. rules governing how the glyphs may be combined to form words) is, and this can be understood without using math at all.
Entropy in information theory is mean information per message. This is just the definition of entropy. If we speak of character entropy (which is constantly referred to be "low" for Voynichese, in contrast to its vord entropy which is comparable to that of the natural languages), that is mean information per character. I'm sorry that I am not acquainted with the linguistic implications of entropy (linguistics is not my field at all), but what is for sure is that character entropy is alphabet-dependent, just by definition. Hence, it cannot be low
no matter of how we combine the glyphs. I agree that exercises in glyph combinations that would raise the character entropy of Voynichese to the linguistically "normal" (Hawaiian apart

) level would make the Voynichese look even more strange, yet I would be interested in seeing calculations of entropy with different "glyph combination levels".