17-06-2017, 01:21 PM
In my search for parallels to the circular field of labeled stars on the 68r folios, I found an item which I believe is worthy of comparison with these folios, so I'm posting it here for discussion.
The object is the so-called Star Mantle of Henry II, gifted to him by a certain bishop Ismahel of Bari in 1020.
It soon ended up in the Bamberg Cathedral, where it underwent a significant restoration in the 15th C, during which the blue background was added (the original was purple silk) and the labels (tituli) were methodically un-sewn and rearranged differently so as to form new words and sentences. Apparently, there were originally many more labels than have survived.
Although they placed the labels differently, the placement of the stars and other elements was respected. However, the arrangement of stars here is not a literal map of the stars: "The placement of the images corresponds neither to a map nor to a celestial globe. The distribution of figures seems to be entirely arbitrary" (p. 22 in the referenced text below)
It is also worth noting that while the surviving mantle is only a semi-circle, the original one was actually fully circular, with a hole in the middle for the wearer's head to fit through. The emperor thus literally became the axis around which the heavens moved.
Here's the largest image I could find:
![[Image: star-cloak2.jpg]](https://flextiles.files.wordpress.com/2015/09/star-cloak2.jpg)
A good in-depth read about it can be found You are not allowed to view links. Register or Login to view.
Considering that this mantle was restored in Bamberg in the 15th C, I wonder if such a prodigious object could have inspired the creators of 15thC manuscripts in Bamberg and beyond (the mantle was extremely famous at the time, in fact, the thousands of pilgrims coming to touch it are to blame for its early deterioration)... Of course, I am wondering if this object could have inspired the Voynich artist.
Conversely, the field of labeled stars it features could have been inspired by a now-lost depiction of the heavens. The author of the paper linked below suggests Gregory of Tours' De Cursu Stellarum as an influence, but concedes that this model alone doesn't explain what we see on the Star Mantle.
It would be very interesting to know more about Ismahel of Bari and the creators of this mantle.
What do you all think about this artifact as a parallel for the 68r folios?
The object is the so-called Star Mantle of Henry II, gifted to him by a certain bishop Ismahel of Bari in 1020.
It soon ended up in the Bamberg Cathedral, where it underwent a significant restoration in the 15th C, during which the blue background was added (the original was purple silk) and the labels (tituli) were methodically un-sewn and rearranged differently so as to form new words and sentences. Apparently, there were originally many more labels than have survived.
Although they placed the labels differently, the placement of the stars and other elements was respected. However, the arrangement of stars here is not a literal map of the stars: "The placement of the images corresponds neither to a map nor to a celestial globe. The distribution of figures seems to be entirely arbitrary" (p. 22 in the referenced text below)
It is also worth noting that while the surviving mantle is only a semi-circle, the original one was actually fully circular, with a hole in the middle for the wearer's head to fit through. The emperor thus literally became the axis around which the heavens moved.
Here's the largest image I could find:
![[Image: star-cloak2.jpg]](https://flextiles.files.wordpress.com/2015/09/star-cloak2.jpg)
A good in-depth read about it can be found You are not allowed to view links. Register or Login to view.
Considering that this mantle was restored in Bamberg in the 15th C, I wonder if such a prodigious object could have inspired the creators of 15thC manuscripts in Bamberg and beyond (the mantle was extremely famous at the time, in fact, the thousands of pilgrims coming to touch it are to blame for its early deterioration)... Of course, I am wondering if this object could have inspired the Voynich artist.
Conversely, the field of labeled stars it features could have been inspired by a now-lost depiction of the heavens. The author of the paper linked below suggests Gregory of Tours' De Cursu Stellarum as an influence, but concedes that this model alone doesn't explain what we see on the Star Mantle.
It would be very interesting to know more about Ismahel of Bari and the creators of this mantle.
What do you all think about this artifact as a parallel for the 68r folios?